The Latest News

I have a lot of news to share with you.  All good :)  First off I have been completely immersed and in the flow of my daily art practice.  As is always the case with me  it is an "experience" fraught with comedy and drama each and every day. From sun up to sun down I can be found surrounded by paints, brushes and art in the making at any one of the various portable studios I have set up all over the house.  My husband used the word "relentless" in regards to my practice as he was walking by one of the multitude of times he had witnessed me with my head bent down, oblivious to all else but the girl I was coaxing into life. I told him later that was a huge compliment. 

We celebrated my sweet Ivy's birthday by going out for sushi.  She made a wish before blowing out the candle that was nestled within her green tea sundae, 'aka' birthday cake but refused to reveal her wish to me so I have no news for you on that subject. We ended our perfect afternoon at Anthropologie  selecting new coffee cups and fragrant candles to use in our studios. 

The week prior was highlighted by a visit from our friend Janet Reid. We picked her up from the airport on a Wednesday and for the next three days proceeded to laugh, eat good food and learn to paint the tiny tea bag faces taught in Jeanne-Marie Webb's,  class Tiny Bags of Love. The class is divine and the gentle teachings of Jeanne -Marie helped me not only paint the adorable faces  of Astrid and Tilli that you see there on your left but also helped me grasp some larger concepts about painting loose and impressionistic faces of any size.

Working through the class during the visit with Janet added richness to both experiences. I am also lucky enough to be making the sojourn to Janet's home and studio in Southern California next month and I'm sure I will have lots to share with you afterward.

 

The last thing I have to share today is how I happy I am to be a returning teacher in the upcoming all new Let's Face It 2017  class hosted by the amazing Kara Bullock. You can find out more and read all about the new content and amazing teacher lineup by clicking any one of the links in this section of the post  or you can read about it here in the teaching section of my site.  And you will be happy to know that I will be doing a  GIVEAWAY of one free spot in this class on my blog in the coming weeks so be sure to subscribe below to my site in order to stay up to date with what is happening! 

Love, Robin

I Am Open I Am Learning

What am I learning from my daily practice of drawing? Remember I committed myself to doing more drawing and painting and less activity on social media after my return from Ghost Ranch. I am happy to report I'm sticking with it and drawing, sketching or painting for long periods every day.  All of it is practice for the sake of practice not for a product or finished piece. One of the commitments I made was to be more open to my inner world of thoughts and feelings as I work and I gently calm and comfort my thoughts when I begin to say things in my head that are not helpful.

Most every practice piece is going through various levels of destruction and reconstruction as I work with my self limiting thoughts. I keep moving, dragging things out of the trash and wiping out layers of pastel or layers of charcoal to look again and see a missing puzzle piece that I need to add or take away. The most important part is that I am doing it. Whether I am working or reworking doesn't matter. Stepping forward into the discomfort rather than backing away with resignation it the nugget of gold. It's not that complicated really :)

Love, Robin

Robin-laws-art
robin-laws-art

Failure Friday is an Adventure!

Put a Crown on It !

 This is an iPad painting out of my imagination. The fact I had no reference image is a factor in making this a candidate for a Failure Friday post. To be clear that is not because using a reference image would in any way have limited my imagination. On the contrary I think a reference image would have helped me create a similar painting but by a less circuitous route. I am never in a hurry when I am creating something but I find Ican get lost and do a lot of wandering about in the artful woods if I don't at least have some idea of the ultimate look I want to create.  For example am I interested in creating a male of a female, a face or a figure? Will  it be realistic or more abstracted? 

I mean really.... imagine if this had been on paper! I would have had to start over at least 16 times!  Or maybe she just would have had to wear a headress for a head or been stuck being a man in a broken fedora! Well anyway my  iPad has a way of turning failures into  valuable lessons with great comedy value!

So let's review the lesson. A reference image provides a framework and a guide. If I can't (and I never can) remember how to make a nose look three dimensional then the reference image gives me the opportunity to practice seeing the lights and darks and shapes that make up the nose rather than my mind trying to feed me some vague idea of what a nose is supposed to look like. Instead I am looking right at the real thing! duh :) Additionally using a reference will save me bushels of time! I can gain confidence simply from seeing that my drawing has relative accuracy. I have more fun as well because I like working on all the details and mark making rather than being so busy undoing or erasing!

Just for the record I am aware it is Saturday today an not Friday. It makes no difference though because this is still a Failure Friday post :) I'm really enjoying this visual blogging style even though words are one of my favorite art forms! If you want to learn more from me go to my classes page and see where I am teaching .

I'd love to hear what it is you gain from working from imagination as well as what you learn from using references.

Love, Robin xo

The Calling to Create

What Brings You to The Creative Process

I created this image very late  at night using the deepest and darkest charcoal I could find. I have a lot of emotions connected to my art and this image has a story to tell that I do not yet know how to put into words. 

This morning, before the sun even thought about peeking from behind the mountain I awoke and remembered that today is the day I begin a new course with Gillian Lee Smith titled Drawn To Expression. I adore Gillian. She was my first real art teacher. She was the teacher I decided to trust and allow into my secret world. I'd lived a long time with a terrible hunger to create that I had not allowed myself to satisfy because of fear. There were times I thought I might starve because of my fear and stubbornness. I was fortunate because that desire to create remained strong and was binding it's time for the right moment to come out and into the light.  

Fear is such a crazy thing. Insensible, irrational, incredibly powerful. Gillian was the one who called me to wake up and she helped me find my courage. I will be forever grateful to her for her gentleness and her desire to light the fire of creative passion within her students. I feel so fortunate. 

 AsI listened to Gillian introduce the class by reading a quote from Mary A. Granvo I started to feel that her words were speaking directly to my heart. Here is the Quote:

"I have found that by using very simple art materials we are able to tap into a soft and tender place that is begging for attention. This soft tender place is our connection with our true essence, our spirit and our soul's longings."

I wasn't really planning to write a blog post today but because I felt so moved so excited to begin this course I simply wanted to share. 

Love, Robin

Real Life Artist - The Learning Curve

Failure Friday - Learning From Failure

One of the things I like best about social media is the sharing that happens amongst the artist community. I gain a wealth of inspiration and knowledge from connecting and interacting. I love when I click the comment button on some intriguing work of art only to discover that there is a rich and energetic dialogue happening in real time with real people about art and life! I learn and grow from what others are studying or working on. I also get to hear about the amazing successes as well as the difficult challenges of the artists who are open to sharing their journeys. I feel encouraged in my own work with each story that is shared. Hearing about the struggles of an artist I admire helps me to be brave and to push myself out of my comfort zone. I tell myself that if they can do it I can too.

The last several months my creative focus has been painting on an ipad.  I have experienced success and a sense of deep satisfaction with some of the digital paintings I have created. I have loved the success and aknowledgement of my work and the growing sense of confidence that has developed as a result.

Starting from that position of strength and confidence it is time for a new challenge and to push myself beyond my comfort zone. So back to the drawing board I go using my traditional art materials, drawing large and using an easel.  This is a way for me to practice bravery and seek growth.  

I decided to share one of my recent, more challenging experiences. My goal is to maintain a positive perspective and evaluate my skills  to determine where I need to grow and how best to go about improving.  My intention is to be a problem solver rather than upset about my failures. I want to learn from them.  The reference image I used is on the left. 

I'm working on my easel and on large paper trying to stay loose. What that means is that I'm trying not to think too much but focus on getting the forms in and placing them accurately. I didn't do any measuring or comparing other than using my eye to gauge how the drawing matched up with the original and checking angles using my charcoal. I believed in general I was doing "ok". I told myself it was perhaps too wide at the cheek bones but that I could fix that later. A small voice was telling me the eyes were too far apart but I didn't listen. Being a relatively new artist I sometimes imagine I won't be able to repeat a feature and do better than the one I see in front of me. That right eye was shaped ok and I didn't want to move it. 

I can tell you now I should have stood back, looked carefully, measured and made corrections in placement of everything long before I started adding details.  Since I didn't do that things begin to go from ok to bad to worse quickly. The harder I worked the more confused I got because when I changed one eye the cheekbone looked off and vice versa.  I kept changing the shape of the face, moving the jawline up then down, wider then more narrow. I think I changed the mouth at least ten times. No matter what I did it just was "off". I was frustrated and discouraged and began using swear words... Time to take a break!

Instead of taking a break I decided to take a photo of the drawing and the original.  I loaded them both into my iPad and opened Procreate which is the painting app I use. Using layers I outlined the features on the original and  the features on my drawing. Then I overlaid the outline from my drawing over the original and guess what happened? The errors were revealed with ease. Very helpful information! The nose was too long, that right eye is too high and too far from the center line. Having the nose too long made everything below it wrong. In an effort to make it right I had over rendered the mouth and completely lost my way in terms of how to draw a mouth or the shape of the face. Lots of problems!

Once I saw what errors I had made I was able to try again. I stayed in the iPad and experimented. I still found it difficult to render the mouth properly and depicting how her head was tilted down slightly. All of the parts of the face are connected and each nuance of movement changes the relationship between structure and form so getting these things right were important. If I want to control the expressiveness of the face I need to be able to accurately recreate the form of the face in various positions and at various angles. 

 The lessons here are pretty obvious. Take my time, stand back OFTEN to check my work, render shapes not features. (My brain is tricky and will deceive me but I don't need that Information, it isn't helpful.)  I need to correct as you go and move on when things truthfully look to be in place not 'sort of in place'. Trust myself but don't trust myself!  Measure angles and relationships. Be careful and be loose about the drawing at the same time.  Its a lot to pull off but its worth it because in the end what I want is to do beautiful work! 

I've shared about the usefulness of the iPad as a learning tool many times as a teacher in Paint and Pixels  but I never tire of sharing how i use it as an essential tool for drawing.

 Below is a little video I did many months ago for Jeanne Oliver's Living Studio series. I basically talk through a charcoal drawing  where I find myself in a similar situation as the one I described above. I figure out the corrections and changes I want to make by taking a photograph and moving it into Procreate. In this case I go back to the easel and make the changes on paper. Its like magic and I LOVE using this tool! 

Ok back to the drawing board for more practice, practice practice!!

love, Robin

Time To Enter The Giveaway! Let's Face It With Robin Laws

There is still time to win a free seat in the class Let's Face It. Click this link to go to my blog post telling you all about how to enter your name. Someone has to win right?! :) I will draw a winner this Monday, October the 26th. That is only 3 days from now!  

I'm going to be teaching you all about drawing the profile and it isn't going to be as difficult as you think. Honestly if I can do it so can you! I'm going to demonstrate my process and provide you will detailed instructions for drawing an accurate profile.  I'll give you plenty of helpful tips along the way and I'm even going to provide you will a bonus lesson that will help you learn more quickly. I hope you will join me and all the other amazing teachers on this year long journey of learning to draw faces!